Mural and Fragments, Chapter I

Extended until 31 May 2026

vitrine de l'exposition

Les trois Grâces Gallery
8 rue du Vieux – Versailles, 78000

Opening night: 11 March, 6pm–10pm

Created for this occasion, which also marks the opening of the venue, directed by Martin Pompeo, is a 63 m² bas-relief mural entitled *Sous les étoiles* (Under the Stars).
The project received support from Maison Sennelier for the pigments used.

 

 

Opening hours and days

Thursday, Friday, Saturday 2pm – 7pm
Sunday 10am – 1pm / 3pm – 6pm
Other days by appointment

 

 

To get to Versailles from Paris :


RER C + – 20 mins to Versailles-Château Rive gauche station
or Line N (Paris-Montparnasse station) 12 – 25 mins depending on the train to Versailles Chantier statio,
Les trois Grâces Gallery is a 10 minute walk from the station.

It is at number 8 Rue du Vieux Versailles – a historic street with deep-rooted heritage where the spirit of Versailles’s artisans still lives on – that Galerie Les Trois Grâce opens its doors, delighted to share with you its selection of unique artists who work in the shadow of the city’s heritage.

As an art enthusiast driven by a deep desire to support the arts, I have designed this space as a springboard for powerful, profound and significant talents who have all too often been sidelined in a world that is constantly seeking new perspectives.

The gallery is hosting Pascal Pistacio, who is presenting an introductory work, an engraved fresco entitled ‘Sous les étoiles’ (Under the Stars), commissioned to mark the opening of the Les Trois Grâces gallery.

In this mural, Pascal Pistacio does not concern himself with the intellectual aspect of art that provokes reflection; instead, he seeks out life, movement and all the beauty of the world, with colours that seem to be submerged by the vibration of a mystical blue, as if it were a necessity. He challenges established notions of the sacred and the workings of the world.

This gentle, serene fresco envelops us, like a divine flash of inspiration, reminding us that only beauty binds us together, that only the resonance of beauty provokes reflection.

And then he gives way to monumental sculptures that undulate like a poetic shroud in search of something else, showing us a path that blends strength, balance and fragility.

And then he gives way to monumental sculptures that undulate like a poetic shroud in search of something else, showing us a path that blends strength, balance and fragility.

THE PRODUCTION

THE OPENING